Walkdowns

Aug 21
2009

By Paul Baloche

Walkdowns describe the bass movement in a song, creating interest and emotion. A “one chord” with the root in the bass makes the listener feel “at home”. But a “one chord” with the third or the fifth in the bass is a totally different animal, usually evoking a majestic, anthem like quality. These are very useful tools in writing and arranging songs.

Almost every song ever written has either a walk-down or walk-up. Think of how the bass walks down in choruses like “Jesus, Lover of My Soul”, “There is None like You”, “As the Deer”, or “Mr. Bojangles”. Sacred and Secular, Classical and Contemporary, all employ this timeless musical device.

So here we go. By learning the walkdowns in the five “guitar keys”, you will be equipped to play nearly 90% of all music ever written. Or at least most of the music you ever hope to play. Of course then, by using a capo, you will be able to play in all twelve keys with ease. That is one of the cool things about the guitar—if you learn the “shapes” of certain chords, those shapes can be moved up and down the neck forming different chords in different keys. Something you can’t do on a piano I might add. :)

Look at the examples shown below. In the key of C, look at the F/G chord. That “shape” is a “moveable shape”. If you move that shape up 2 frets, it becomes a G/A, which sets you up for the key of D. It’s a great shape to use when you’re modulating from one key to another. Another moveable shape that will serve you well is the A/C# in the key of D. Move it up and down the neck and figure out what chord you’re playing. Bb/D, C/E, etc. Go ahead and try them. Ouch!! It’s tough at first. The guitar is a very physical instrument. Take heart. Your hand muscles will grow stronger through repetition so keep practicing.

The examples shown start with the easiest key, C, and progress to the hardest key, E. If you are striving to be a better guitar player, I truly believe this is time well spent. Learning these walkdowns will prepare you to play hundreds of songs and enable you to enjoy your instrument more fully. “Play skillfully…..” Ps. 33:3

walkdowns-chords-72dpi1

For worship guitar video resources , visit www.leadworship.com

“You’ve got Mail!”

Aug 21
2009

By Paul Baloche

God is always speaking to us. The question is, “How clear is our connection?”

“You’ve got mail.”

Many of us hear those words each day as we log on to the Internet to check our email. The phrase was also popularized by a movie of the same title a few years ago. Remember when the only option to connecting to the World Wide Web was through a phone modem with a tortoise like connection speed of 28k? Then we expanded to 56k. Then to cable, broadband, and DSL—suddenly we could download volumes of information in seconds with the simple click of a mouse.

Learning to hear the voice of God occurs in a similar fashion.

The New Testament commands us to “walk in the spirit” (Gal.5: 16). The apostle Paul speaks of “hearing from God” and “being taught of God” (Gal. 1:12). The Old Testament tells us that our ears will hear a voice behind us saying, “This is the way: walk ye in it” (Is.30: 21). Isaiah points us to ‘the still, small voice” of the Lord.

God is always speaking to us. Our hearts can be likened to a modem, picking up on the subtle impressions and whispers of the Holy Spirit. At first, our ability to discern His voice perhaps is slow and faint, similar to our 28k modem.

But as we persist in hiding His written word in our hearts and cultivating a 24/7 dialogue, or as someone said, “practice His presence,” we seem to develop a more “broadband” type of connection with the Lord. Impressions, insights, dreams, and visions become clearer as we stay “logged on.” Jesus said in John 14:26, “The Counselor, the Holy Spirit…will teach you all things and remind you of everything I have said to you.” A few verses later He gives us the secret or “password” to hearing from Him. “Remain in me.” Remain. What a great word. Paraphrased, that means “stay online 24/7 to my spirit.” Staying online requires cultivating an intentional preoccupation with Jesus as we live our lives and go about our daily schedule.

In Luke 10:38 it is recorded that Martha invited Jesus and His disciples to her home.

And she had a sister called Mary, who sat at the Lord’s feet and listened to his teaching. But Martha was distracted with much serving; and she went to him and said, “Lord, do you not care that my sister has left me to serve alone? Tell her to help me.” But the Lord answered her, “Martha, Martha, you are so anxious and troubled about many things; one thing is needful. Mary has chosen the good portion, which shall not be taken away from her.” (RSV)

Figuratively speaking, Martha seems to represent the busy, active, extraverted side of our personality and Mary the receptive, introverted side. This passage highlights our tendency to emphasize “action and doing” (Martha) over “being and listening” (Mary). Jesus says that Mary has chosen the “good portion.” Jesus seems to be emphasizing that nothing, not even hospitality and service, is more important than a readiness to “be still and know Him.” To wait upon Him. Jesus says, “One thing is needful,” and that is to “BE” with Him and to listen for His “still, small voice.”

Unfortunately, it is too easy to be distracted by the demands of our culture. Especially a culture that is driven by that which it values most-goals, action and results. Even our churches fall prey to this mentality as we are driven to respond to every need that arises. Many times “the good” is the enemy of the “best.”

Let’s try to emulate Mary and carve out time in our lives to sit at His feet. And as we go about our daily routines, let’s stay logged on to the Holy Spirit, and progressively learn to be led by His Spirit through the adventure of this life. Psalm 95 declares, “Today if you hear his voice, harden not your hearts.”

You’ve got mail!

Guitars, guitars, guitars

Aug 21
2009

By Paul Baloche

Many of us grew up with a fascination of the six string music maker. So desperate to be able to play the guitar at 6 years old , my friends and I used to tie a tennis racket around our necks with a shoe string and pretend we were strumming along to our favorite Beatle song.

Most of us guitar players, at one time or another, were “bit” by the bug of seeing someone make such incredible sounds out of a simple six-stringed instrument.

Growing up outside of Philadelphia, I used to sit in dark, crowded basements of many local bands to watch them practice. Night after night I would observe the more experienced guitar players as they played some of my favorite songs, carefully observing their left hand fingerings of different chords and their right hand picking and strumming techniques. Rushing home from those rehearsals, I would furiously put into practice what I had just learned, spending hours and hours trying to copy the styles of the local guitar heros.

As years went by, I progressed in my own skills and began buying songbooks from some of my favorite artists such as James Taylor. I would do my best to listen to the recordings and play the fingerings as printed in the songbooks. I soon realized that the chords in the songbooks often did not sound like what the artist was actually playing. This proved to be a discouragement and a frustration. However, occasionally, I would see an artist like Paul Simon or James Taylor play live on television and observe some of the guitar voicings that they used in certain songs. “Alas! So THAT’s what he’s doing !”, I thought.

As I’ve grown as a worship leader and had the opportunity to teach guitar clinics at various conferences, I’ve recognized that same frustration in other guitar players. They desire to play songs as they have heard them on a recording but are unable to find the right voicings.

So a few years ago I thought, “Wouldn’t it be great to create a more modern, up-to-date songbook with a “visual” approach where a guitarist could see the exact voicings that the artist was using.” I thought about how valuable that would have been in my formative years when I was painstakingly deciphering the chord voicings by listening to those early James Taylor records.

After the recording of  ”Offering of Worship”, I decided to create a “DVD Guitar Songbook”, allowing listeners to see the exact guitar voicings used during the recording process. From the enthusiastic feedback I received, I know it helped many guitarists master their instrument to the glory of God.   Just to quote a few :

….I found myself committing the songs to memory far quicker than I normally do with written music….

…. it really is like having you drop by to show me how you play this stuff! ….

…. I’m able to learn the song faster than just trying to learn from a songbook on my own. Great idea! ….

…. it makes the learning process much quicker. I think partially due to the fact that, like you, I feel most guitarists learn best by seeing and hearing. The explanation that you provided with the video really helped ….

…. what a fantastic tool for learning ….

…. this is without a doubt the best put together resource I have ever used and allowed me to play the songs quickly and correctly right from the git go. In addition it has moved me up a notch in my playing ability by allowing me to benefit from your experience….

The Paul Baloche DVD Songbook Volume I and II and other video resources are available at www.leadworship.com

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